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Rope is based in part on the true crimes of Nathan Leopold and Richard Loeb, who murdered a 14-year-old boy essentially to prove their superior intellect by carrying out a perfect crime. While Granger hung out in New York with the Broadway glitterati, the film received several private screenings, one of which Hitchcock attended. When he returned, he filmed They Live by Night, but then Howard Hughes bought the studio and shelved the film. Due to a bout of intense seasickness, he served his stint on land, mostly working with the entertainment division of Special Services and discovering his love for sex with women and men. Granger had played a couple of small roles under contract with Samuel Goldwyn when he joined the Navy, an experience that in some ways resembled a certain song by the Village People. We’re here to look at the apex of Farley Granger’s career, his two films with Alfred Hitchcock and the remarkable (if brief) time when the director’s work, as Cary Grant might put it, “went gay all of a sudden.” Who knows why this is so? Whether it was Granger’s bisexuality, the source material of both films (authored wholly or in part by gay writers) or simply Hitchcock’s prurient fascination with sexual otherness, both Rope and Strangers on a Train must be looked at through their homoerotic context, or something is lost.
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Whatever it was during his own long career on film and TV that kept him a middling star is beyond this discussion after all, lots and lots of actors have come to Hollywood, launched a ton of performances, and passed into oblivion. Nicholas Ray, the director of They Live by Night, would go on to make the consummate 1950’s film about disaffected youth, Rebel Without a Cause, with another sensitive young pup named James Dean, whose own tragically brief filmography would overshadow that of Granger. I wrote previously about that film, about his heartbreaking performance and the disappointing trajectory his career would take in only a few years. It was only Granger’s third film, his first with top billing, and he is revelatory here. My opinion of actor Farley Granger changed forever last year when our film noir class watched 1948’s They Live by Night(aka Thieves Like Us).